|OFFSPRING - BIOGRAPHY||
Offspring's metal-inflected punk became a popular sensation in the 1994, selling over a four million copies on an independent record label. While the group's credentials and approach follows the indie-rock tradition of the '80s, sonically they sound more like an edgy, hard-driving heavy metal band, with their precise, pulsing power chords and Dexter Holland's flat vocals.
Featuring Holland, guitarist Kevin "Noodles" Wasserman, bassist Greg Kriesel, and drummer Ron Welty, the Offspring released their first album, Ignition, in 1993. It was an underground hit, setting the stage for the across-the-board success of 1994's Smash. The Nirvana-soundalike "Come out and Play," the first single from the album, became an MTV hit in the summer of 1994, which paved the way to radio success. The band was played on both alternative and album rock stations, confirming their broad-based appeal. "Self Esteem," the second single, followed the same soft verse/loud chorus fomula and stayed on the charts nearly twice as long as "Come out and Play." The group got offers from major labels, yet they chose to stay with Epitaph. While they were able to play arenas in the U.S., their success didn't translate in foreign countries. Nevertheless, the band's popularity continued to grow in America, as "Gotta Get Away" became another radio/MTV hit in the beginning of 1995. The Offspring recorded a version of the Damned's "Smash It Up" for the Batman Forever soundtrack in the summer of that year; it kept the band on the charts as they worked on their third album.
Following a prolonged bidding war and much soul-searching, the Offspring decided to leave Epitaph Records in 1996 for Columbia Records. The move was particularly controversial within the punk community, and many artists on the Epitaph roster, including Pennywise and owner Brett Gurewitz, criticized the band. After much delay, the Offspring finally released their Columbia debut, Ixnay on the Hombre, in February of 1997. Expectation for the record was high and it did receive good reviews, but Ixnay on the Hombre failed to become a crossover hit on the level of Smash, and the group also lost a significant portion of their hardcore punk audience, due to the album's major-label status. Americana followed in 1998, scoring the hit "Pretty Fly (For a White Guy)."